Kodak Motion Picture Film @kodak_shootfilm

@Kodak's Motion Picture Film Community. Supporting filmmakers everywhere. #ShotOnFilm

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Kodak Motion Picture Film photos and videos

5 weeks ago

“Oliver [Laxe] and I wanted to keep the imagery as naturalistic and minimalistic as possible, nothing forced or glorified, so as to create a passionate poignancy of anger and sorrow that grows on you in small degrees – the frailty of Benedicta, the haunted look of Amador, and especially raw power of the wildfires themselves. I am always happy to shoot on film. Film has something different, a kind of spiritual aura, in the colours and shades it registers, that video just does not have.” ⠀ Read the full interview with cinematographer Mauro Herce in the latest #InCamera on @festivaldecannes -winning feature "O Que Arde (Fire Will Come )". Link in bio or at kodak.com/go/incamera ⠀ #InCamera #ShotOnFilm #S16mm / Image © miramemira

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last month

The @AmericanFilmInstitute Conservatory's 35mm Visual Essay Program has produced over 200 stories by the Cinematography Fellows over the past 10 years. All shot on 35mm Kodak film. Watch the full BTS overview on the @kodak_shootfilm Twitter and Facebook. Shot on 16mm by @dcharry and @yairhalper Edit + Color by @emi_mendieta

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last month

“With celluloid, I love the magic of not knowing exactly what we’ll see, as they are so very many variables – such as the chemicals, the temperature and speed of processing, etcetera. The world of film is metaphysical, and so is true Cinema. The benefits are aesthetic and spiritual.” ⠀ Read as "Give Me Liberty" Director Kirill Mikhanovsky and DP @WyattGarfield share about their film - which premiered in the Director's Fortnight section at #Cannes2019 - in the latest #InCamera : kodak.com/go/incamera (link in bio ) ⠀ #FilmMatters #ShotOnFilm #s16mm / @givemelibertyproductions

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last month

“Shooting 2-perf 35mm automatically delivers a 2.40:1 widescreen aspect ratio, which perfectly complemented the prologue footage Hlynur [Pálmason] had already shot, as well as the landscapes that we were going to be shooting. Ultimately, we felt it was also in tune with the struggle of the central character in the story." ⠀ "A White, White Day" was shot on 2-perf on Kodak 35mm film, and screened in the International Critic’s Week at #Cannes2019 where lead Ingvar E. Sigurðsson won the award for best actor. Read the full  #InCamera with DP @mazhusvarg : kodak.com/go/incamera (link in bio ) ⠀ #FilmMatters #ShotOnFilm / @snowglobefilm

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May 2019

“From the very beginning, the format for Once Upon a Time in Hollywood was widescreen celluloid – meaning 35mm Anamorphic ­– unless we were shooting Rick Dalton’s Western television series, then we were 35mm B&W. And we shot with spherical zooms mostly in 1:33. There were also two sequences, at Sharon Tate and Roman Polanski’s home, that we shot on Kodak Ektachrome, one in 16mm and the other on Super8mm.” ⠀ Quentin Tarantino’s highly-anticipated, Manson-murder era drama, #OnceUponATimeInHollywood premieres today at #Cannes2019 Read the full interview about how it was made with DP Robert Richardson ASC in the latest #InCamera : kodak.com/go/incamera(link in bio ) ⠀ #FilmMatters #ShotOnFilm #35mm #16mm #Super8 / Copyright: © 2018 CTMG, Inc. All Rights Reserved. PROPERTY OF SONY PICTURES ENTERTAINMENT INC.

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May 2019

Proud to announce that Cinematographer @Dan_Mindel , ASC, BSC, SASC, has been named the 2019 Kodak Cinematographer-in-Residence at the UCLA School of Theater, Film and Television ( @UCLA_TFT ). ⠀ This is the 19th year of the residency program, which brings together the worlds of professional and academic cinematography, exposing theater, film and television students to critically acclaimed industry veterans who have attained the highest levels of achievement within the filmmaking industry. Students study with these experts for an entire academic year through a series of workshops and screenings. ⠀ #CreatingTFT #ShotOnFilm

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April 2019

Filmmaker @AlexRossPerry rejoins the podcast this week to talk about his latest film, @hersmellmovie He shares about the intricacies of the filmmaking process, working with DP Sean Price Williams and his other collaborators, the choice to shoot on film – and even a little about script-writing and his work on Disney’s “Christopher Robin.” “Her Smell” starring Elizabeth Moss is in theaters now. ⠀ Listen to our conversation with Alex on the #TheKodakery podcast — kodak.com/go/kodakery (link in bio ) ⠀ 🎧 #TheKodakery 📸: @donstahl

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April 2019

Proud to support Director Antônio Campos and DP Lol Crawley, BSC for their creative decision to use Kodak 35mm celluloid and KODAK FILM LAB ATLANTA for processing and dailies on their current Feature: THE DEVIL ALL THE TIME. #ShotOnFilm

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April 2019

“It is not really the aesthetics of film that attract me, which I think are beautiful, of course. It is more about the filmmaking process and how its methods and practices help my work as a storyteller. With film, you craft the image you want on set, with a team who respect the medium and the methods. Because the resource is limited, you know what you have to do and it keeps us all alert.” ⠀ Having just released in the UK, Lazzaro Felice [Happy as Lazzaro] has been picking up rave reviews. The film, which competed at last year's Festival de Cannes, was shot on Kodak Super 16mm. Revisit our #InCamera with Director Alice Rohrwacher at kodak.com/go/incamera (link in bio ) ⠀ Image by Simona Pampallona. #ShotOnFilm #s16mm

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April 2019

HOMESPUN YARNS Presents 1000 WORDS A short film competition for 2019, in association with Kodak. Entries are now open. Deadline May 19. Image by @_kjosh. #HomespunYarns2019 Details: homespunyarns.tv/brief/

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March 2019

Premiering earlier this year at @berlinale , @bait_film is the latest feature from Cornish filmmaker @Mark_Jenkin Not only did he write and direct the film but he also shot it all on a hand-cranked Bolex camera with 30,000 ft of 16mm B&W film, which he then hand-processed. It premieres in the US this weekend as part of @NDFNM – Friday, March 29 at @filmlinc and Saturday, March 30 at @themuseumofmodernart ⠀ Listen to our conversation with Mark about #BaitFilm on the latest episode of #TheKodakery podcast — kodak.com/go/kodakery (link in bio ) ⠀ 🎧 #TheKodakery 📸: @thomaxonphoto

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March 2019

Our Kodak Film Lab Atlanta has been quite busy. All of these 35mm and 16mm film cans were sent to us recently for processing + scanning. Thanks to all the filmmakers that continue to entrust your projects to Kodak film 💛❤️ ⠀ 📸: @michaelbrown3383 #ShotOnFilm

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March 2019

“I was absolutely amazed when I tested the 50D and fell in love with it as our workhorse format. hooting in full summer sunshine with a quarter of the frame in shadow, I was impressed by its dynamic range and could not believe how much detail there was in the darker areas of the image. Under-exposing and then pulling a stop at the lab – which I did throughout the production – the pictures looked even more incredible." ⠀ Read the full #InCamera with @mid90smovie DP Christopher Blauvelt: kodak.com/go/incamera (link in bio ) ⠀ #ShotOnFilm #S16mm / 📷: @tobinyellandphoto , courtesy of @A24

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March 2019

For International Women’s Day, Kodak and @CinelabLondon collaborated with 10 female DPs from @illuminatrix_rising_dops - a collective that promotes emerging women cinematographers in the UK - to create a series of short films on Super 8 around this year’s theme of “balance.” ⠀ The female filmmakers: Simona Susnea - @si sus.dop Diana Olifirova - @dianaolifirovadop Tansy Simpson - @tansysimpson Luciana Riso - @lucianariso Alvilde Naterstad - @alvildenaterstad Anna MacDonald - @annamaccc Donna Wade - @donnagagewade Samira Oberberg - @samiraoberberg Jackie Teboul - @jackieteboul Chloé Deleplace - @c.a.l.d ⠀ Watch the short film created from the footage from each of the cinematographers at https://vimeo.com/322006431 (link in bio ) ⠀ #ShotOnFilm #Super8 #ShotOnSuper8 #FemaleFilmmakerFriday #IWD2019 #InternationalWomensDay

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March 2019

Shot on Super 16mm, @sharonvanhalen 's ’Seventeen’ is both a love letter to NYC and an upbeat nod to Bruce Springsteen. See the music video at On Film: Music at youtube.com/kodak CREW: Director: @mtowey66 DP: @frankiejchen , @charlottehornsby_ 1st AD: @lxklein Producer: @mirandarosekahn #ShotOnFilm #s16mm

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February 2019

⠀ 32 nominations. 8 movies. All #ShotOnFilm Kodak congratulates the amazing filmmakers and creators ahead of this year’s #Oscars that chose to tell their stories with the medium of film. See them all at kodak.com/go/oscars #Oscars2019

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January 2019

Congratulations to Emily Blunt on her #SAGAwards win last night! She took home Outstanding Performance by a Female Actor in a Supporting Role for @aquietplacemovie Photo courtesy Paramount Pictures. #ShotOnFilm

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January 2019

Cinematographer Robbie Ryan BSC ISC and #GoldenGlobe Best Actress Winner Olivia Colman on the set of The Favourite. Photo by Atsushi Nishijima. © 2018 Twentieth Century Fox Film Corporation #TheFavorite #ShotOnFilm #35mm

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December 2018

Cinematographer Greig Fraser ACS ASC and crew filming Christian Bale as Dick Cheney in Adam McKay’s VICE for Annapurna Pictures. See it in theaters December 25. Photo Matt Kennedy / Annapurna Pictures 2018 © Annapurna Pictures, LLC. All Rights Reserved.

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December 2018

DP Linus Sandgren, FSF used 35mm and 65mm film to support Disney's The Nutcracker And The Four Realms’ lavish production designs. We hope you take time out to enjoy the beauty of the season with your friends and family and we look forward to spending 2019 with you! Photo credit: Laurie Sparham. Copyright: © 2018 Disney Enterprises, Inc. All Rights Reserved. #65mm #35mm #ShotOnFilm

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December 2018

@connorwjessup directed a short film for @caseymq dreamy new song 'The Constant' on 35mm Film. DP Christopher Lew captured the effects practically in-camera. Connor Jessup told us "'The Constant' is the most mysterious song on Casey's EP. It manages to be both hypnotic and surprising, distant and intimate, alternating between lulling you and twisting you. I wanted to focus on that sense of mystery, and the contrast between distance and delicacy. Usually distance is associated with coldness, but in this case we wanted it to feel warm and gentle. Shooting on film was incredibly helpful. It brought so much life and mystery. It's really, really hard to make a dead, mean image on film. We also decided early-on to do all of our dream-ghost effects practically, using reflections and projections, and film was invaluable in making those images grounded and tangible." Photo by @iamandymcqueen Production Co: @bigandquiet

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December 2018

Set photo of @yonilappin directing @Usher on his new music video for #PeaceSign The DP team of @joecookdop (LA unit ) and @toddmartin (Atlanta unit ) shot on #16mm film.

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December 2018

First AD Ivan Fonseca (l ) and DP Lol Crawley BSC (r ) consider the lighting for a performance sequence in Vox Lux, directed by Brady Corbet. Photo by Atsushi Nishijima. #VoxLux #ShotonFilm

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December 2018

Jordan Klein of @jordankleinfilmandvideo takes a 16mm Arri 416 Camera to flight on Zayn Malik’s “Entertainer” music video filmed in Miami. #jordyklein #xcamaerials #ZaynMalik #AerialCinematography #16mmfilm

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November 2018

DoP @sidarthkantamneni shooting #16mm film on the set of Josh Gould's "Meat Wagon" in Atlanta with @airlockpictures Photo credit: @bqad720 #IndieFilmmaking #IndieFilmmaker #ShotOnFilm #KodakFilmLabAtlanta

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November 2018

“Shooting on film, wide lenses, natural light and fluid camera movement, were all of great importance to Yorgos [Lanthimos] on this production. He has a unique vision for every film he makes and hates the idea of conventional film coverage. For him, The Favourite was not so much a costume drama, it was rather more an enthralling character-driven story that he wanted to explore in his own particular visual way.” ⠀ @thefavouritemovie opens in theaters today. Read the #InCamera with DP Robbie Ryan BSC ISC at kodak.com/go/incamera (link in bio ) ⠀ Image by Atsushi Nishijima. © 2018 Twentieth Century Fox Film Corporation All Rights Reserved #ShotOnFilm #35mm

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November 2018

“'I want to shoot on film,' was the first thing Jason [Reitman] said to me about the project. He wanted that imperfect feel, that texture and palette which only come with celluloid. He also wanted The Front Runner to be an immersive, kinetic, cinema verité-style experience, so that the visuals might drop-in casually over a conversation about coffee, yet almost simultaneously the audience could overhear an important detail about the campaign." ⠀ Cinematographer @ericsteelberg ASC, on the choice of using 35mm on Director @JasonReitman 's @frontrunnermovie - which is in theaters everywhere today. Read the #InCamera at kodak.com/go/incamera (link in bio ) ⠀ Image by Frank Masi SMPSP. Copyright: ©2018 CTMG, Inc. All Rights Reserved. #ShotOnFilm #35mm

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November 2018

DP Ed Lachman, ASC got into the fine intricacies of shooting on #Super16 film at @the_asc Film Master Class program. Photo credit: @nickmahar

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November 2018

DP Linus Sandgren, FSF led the #35mm film hands-on workshop as part of @the_asc Film Master Class program. Photo credit: @nickmahar

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November 2018

Cinematographer Hoyte van Hoytema, ASC, NSC, FSF recently led a #65mm film hand-on workshop as part of @the_asc Film Master Class program. Program participants traveled from as far as India, Egypt, Mexico and various European countries. Most were working cameramen and women with a passion for film. Photo credit: @nickmahar

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November 2018

“A couple of months ago, Ben sent me ‘Gratitude’, a beautiful and honest track which I instantly connected with. Hearing this track and the story it tells led to a discussion between us about everyone’s personal struggles with inner demons and how they affect everyone individually. This is a film about letting go, a turning point, making peace with your past and moving forward. ⠀ By shooting this in one-take allowed us to experience everything as the character does. The way in which we are dropped into a situation, with little context, allows viewers to read their own interpretation of the film. Though for me, the two key moments of the video involve the burning of all his possessions and the slow submersion in the lake. In my mind, his clothes and his possessions, such as his watch represent his past time and regrets, burning them and watching them disintegrate. The lake then acts as a symbolic cleanse, washing everything away and starting again.” ⠀ Director @harvpearson on how the film for Benjamin Francis Leftwich’s song “Gratitude” came to be, shot on 35mm by DP @hunterdalydp Read Hunter’s thoughts on the film in the comments below and watch the full film at https://vimeo.com/299850347 ⠀ #ShotOnFilm #35mm

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November 2018

“Although the 500T is high-speed, it has wonderful range and latitude. You can let highlights bloom, and burn-out a backlight, and still be confident of having detail in that part of the image. We shot on a sunlit beach near Malibu, where the water was glittering and glistening. That would probably have choked a digital sensor, but look on film has wonderful lustre and opalescence. Plus, the 500T has grain too, which is just beautiful to behold." ⠀ Director Drew Goddard with cinematographer Seamus McGarvey BSC ASC, on the set of Twentieth Century Fox's "Bad Times at the El Royale." Read the #Incamera with @seamiemc at kodak.com/go/incamera (link in bio ) ⠀ Photo by @KimberleyFrench Copyright: © 2018 Twentieth Century Fox Film Corp. #ShotOnFilm #35mm

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November 2018

“Kodak 500T is simply the best. You can use it in the sharpest sunlight and the darkest moments of the night, and it won’t let you down. I also went with just the 500T for the visual consistency of its fine grain structure, contrast and color saturation across all of our interior/exterior and day/night shooting situations. We see a lot of Irisz in the film, and the 500T is the most visual appealing to my eye when it comes to the faithful rendition of skin tones." ⠀ Captured on Kodak 35mm and 65mm film, Sunset (Napszállta ) was shot by Hungarian director László Nemes and cinematographer Mátyás Erdély HSC. Read the #Incamera with Mátyás at kodak.com/go/incamera (link in bio ) ⠀ Photo by Mate Bartha, courtesy/copyright of Laokoon Filmgroup. #ShotOnFilm #35mm #65mm

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